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人工智能技術(shù)逐漸滲透到我們生活的方方面面。其中,AV Concept(智能視聽(tīng)概念)作為一種全新的智能生活方式,正逐漸改變著我們的日常生活。本文將從AV Concept的定義、特點(diǎn)、應(yīng)用領(lǐng)域以及發(fā)展趨勢(shì)等方面進(jìn)行闡述,以期為讀者展現(xiàn)一個(gè)充滿科技魅力的未來(lái)世界。
一、AV Concept的定義
AV Concept,即智能視聽(tīng)概念,是指將人工智能技術(shù)應(yīng)用于視聽(tīng)領(lǐng)域,實(shí)現(xiàn)人機(jī)交互、智能推薦、個(gè)性化定制等功能,為用戶提供更加便捷、舒適、個(gè)性化的視聽(tīng)體驗(yàn)。
二、AV Concept的特點(diǎn)
1. 個(gè)性化定制
AV Concept可以根據(jù)用戶的使用習(xí)慣、喜好和需求,為用戶提供個(gè)性化的視聽(tīng)推薦。通過(guò)大數(shù)據(jù)分析和機(jī)器學(xué)習(xí),智能系統(tǒng)可以精準(zhǔn)把握用戶的喜好,從而實(shí)現(xiàn)個(gè)性化推薦。
2. 智能交互
AV Concept具備智能語(yǔ)音交互功能,用戶可以通過(guò)語(yǔ)音指令控制智能設(shè)備,實(shí)現(xiàn)播放、切換、搜索等功能。智能系統(tǒng)還可以根據(jù)用戶的語(yǔ)音習(xí)慣和情感,進(jìn)行相應(yīng)的反饋和調(diào)整。
3. 高度集成
AV Concept將多種視聽(tīng)設(shè)備進(jìn)行高度集成,如電視、音響、投影儀等,形成一個(gè)完整的視聽(tīng)生態(tài)系統(tǒng)。用戶只需通過(guò)一個(gè)智能終端,即可實(shí)現(xiàn)對(duì)所有視聽(tīng)設(shè)備的控制。
4. 跨平臺(tái)兼容
AV Concept支持跨平臺(tái)兼容,用av concept戶可以在不同的設(shè)備上享受相同的視聽(tīng)體驗(yàn)。無(wú)論是手機(jī)、平板還是電腦,都可以輕松接入AV Concept系統(tǒng)。
三、AV Concept的應(yīng)用領(lǐng)域
1. 家庭娛樂(lè)
AV Concept在家居娛樂(lè)領(lǐng)域具有廣泛的應(yīng)用前景。通過(guò)智能電視、音響等設(shè)備,用戶可以享受到更加便捷、個(gè)性化的視聽(tīng)體驗(yàn)。
2. 商業(yè)場(chǎng)景
在商場(chǎng)、酒店、KTV等商業(yè)場(chǎng)景,AV Concept可以提升用戶體驗(yàn),提高商業(yè)效益。例如,智能音響可以根據(jù)顧客的喜好推薦音樂(lè),增加顧客的停留時(shí)間。
3. 教育領(lǐng)域
在教育領(lǐng)域,AV Concept可以為教師和學(xué)生提供智能化的教學(xué)工具。例如,智能投影儀可以根據(jù)學(xué)生的反應(yīng)調(diào)整教學(xué)內(nèi)容,提高教學(xué)效果。
4. 醫(yī)療健康
在醫(yī)療健康領(lǐng)域,AV Concept可av concept以應(yīng)用于智能病房、遠(yuǎn)程醫(yī)療等方面。通過(guò)智能音響、智能電視等設(shè)備,患者可以享受到更加舒適、便捷的醫(yī)療服務(wù)。
四、AV Concept的發(fā)展趨勢(shì)
1. 技術(shù)創(chuàng)新
隨著人工智能技術(shù)的不斷發(fā)展,AV Concept將具備更加先進(jìn)的算法和功能。例如,更加精準(zhǔn)的語(yǔ)音識(shí)別、更加智能的推薦系統(tǒng)等。
2. 跨界融合
AV Concept將與其他行業(yè)進(jìn)行跨界融合,形成新的商業(yè)模式。例如,與家居、汽車等行業(yè)結(jié)合,為用戶提供更加全面、便捷的智能生活體驗(yàn)。
3. 國(guó)際化發(fā)展
隨著全球化的推進(jìn),AV Concept將逐步走向國(guó)際市場(chǎng)。未來(lái),我國(guó)AV Concept企業(yè)有望在國(guó)際舞臺(tái)上嶄露頭角。
AV Concept作為一種引領(lǐng)未來(lái)智能生活的新時(shí)代,具有廣闊的發(fā)展前景。在我國(guó)政策扶持和市場(chǎng)需求的雙重推動(dòng)下,AV Concept必將在未來(lái)生活中發(fā)揮越來(lái)越重要的作用。讓我們共同期待一個(gè)充滿科技魅力的未來(lái)世界!
1.Generation Gap
Nowadays, there is often a lack of understanding between parents and children. Children always complain that their parents are out of date, while parents can’t approve of what their children say and do. Thus, a big generation gap is formed.
The gap remains wide for many reasons. Children want to be free to choose their own friends, select their own classes in school, plan their own future, earn and spend their own money, and generally run their own life in a more independent way than many parents allow. Also, young children wish to be understood by their parents, but most parents don’t quite understand their children. They regard it as their responsibility to teach their offspring traditional beliefs. They want them to be obedient and do well in school. Therefore, misunderstanding often arise from parents’ tendency to interfere in children’s daily activities.
In my opinion, most problems between parents and children could be solved by joint efforts of both sides to enhance mutual understanding.
代溝如今,父母和子女之間經(jīng)常缺乏溝通.子女經(jīng)常抱怨父母過(guò)時(shí)了;而父母并不贊同子女的言行.于是一個(gè)很大的代溝就產(chǎn)生了.產(chǎn)生代溝的原因有很多.子女希望過(guò)比父母允許的更獨(dú)立的生活:自由的選擇自己的朋友;在學(xué)校里自由的選擇自己的社團(tuán);自由的描繪自己的將來(lái);自由的支配自己的花費(fèi).當(dāng)然年輕的子女們也希望能夠得到父母的理解.但是并不是大多數(shù)的父母都能夠理解他們的孩子,他們認(rèn)為教育他們的后代樹立傳統(tǒng)的信仰是他們應(yīng)有的責(zé)任,他們希望子女在家里能夠孝順,在學(xué)校能夠好好學(xué)習(xí).于是,不理解就往往從父母打算干涉子女的日常生活中產(chǎn)生了.
我認(rèn)為:父母和子女間的代溝問(wèn)題可以通過(guò)雙方相互理解來(lái)共同解決.
Generation gap is a concept which means a lack of understanding and communication between parents and children. Children always complain that their parents do not understand them while parents worry about their children's behaviours and ideas.
Why does there exist a generation gap between the children and the parents? Firstly, people who live in different time have different viewpoints towards social customs and tradition. For example, parents who were born in 1950's are very surprised at the fashion in 1990's. Secondly, the parents and children seldom sit down together to talk or communicate with each other equally. If they do so, the gap will be narrowed, If not, it will widen. In most cases, the parents often blame the children's behaviour or style of clothes instead of caring about their thoughts. Thirdly, the children want to be more independent, but the parents still want to take children under their wings.
To ease the problem and bridge the generation gap, parents should treat their children as friends and try to understand the feelings and thoughts of the young. Meanwhile, children should respect their parents and think of the problems from their parents'viewpoint. Furthermore, the parents should keep study and catch up with the development of the fashion. In this way, they will understand their children's behaviour. Work together, the problem will be solved.
personal business私人買賣、私事
...........................................
2.
The generation gap, puts briefly is the psychic distance which because the disparity in age level person in the thought idea disparity creates. Was likely same on the ditch, has separated a generation of generation of person, affected between two generation of person's understanding and the communication. Not only but arrived the new century, the generation gap has existed in the previous generation with the next generation between, moreover was separated by 10 year, between 8 year people in the age, even in between university's higher grades and the lower grade, all could have the mirable obvious difference. The people said frequently that, the generation gap is the time trace, the transformation footsteps. So looked like that, appears the generation gap is natural, does not have the generation gap is unnatural on the contrary, therefore, the generation gap phenomenon easily was also understood by the human. But the generation gap is after all a difficulty which the puzzle exchanges and communicates, moreover easy to increase forms the prejudice and the discrimination possibility, the generation gap both sides person light then did not understand mutually, the heavy piece holds the hostility, therefore we also must make each kind through all sorts of ways to surmount the generation gap diligently, to level the generation gap. Actually, the generation gap also was not one physical existence, but is one kind of psychological existence, the contact, may let the psychological relation which between the generation and the generation once broke continue, thus achieved the exchange smooth and was together harmony.
代溝,簡(jiǎn)單地說(shuō)就是不同年齡層次的人因思想觀念上的差距造成的心理距離。就象溝一樣,隔開了一代一代的人,影響兩代人之間的理解和溝通。但是到了新世紀(jì),代溝不僅存在于上一代與下一代之間,而且在年齡相隔10年、8年的人們之間,甚至在大學(xué)的高年級(jí)與低年級(jí)之間,都會(huì)有令人驚嘆的明顯差異。人們常常說(shuō),代溝是時(shí)間的痕跡,變革的腳步。如此看來(lái),出現(xiàn)代溝是自然的,沒(méi)有代溝反倒是不自然的,所以,代溝現(xiàn)象也容易被人理解。但代溝畢竟是困擾交流與溝通的難點(diǎn),而且容易增加形成偏見(jiàn)和歧視的可能性,代溝兩側(cè)的人輕則互不理解,重則抱有敵意,所以我們也要通過(guò)種種途徑作各種努力來(lái)跨越代溝、填平代溝。其實(shí),代溝也并不是一種物理存在,而是一種心理存在,接觸,可以讓代與代之間曾經(jīng)斷裂的心理聯(lián)系接續(xù)起來(lái),從而達(dá)到交流的順暢和相處的和諧。
漢語(yǔ)翻譯n.天神下凡化作人形,化身英語(yǔ)解釋:名詞 avatar:
a new personification of a familiar idea
同義詞:embodiment, incarnation
the manifestation of a Hindu deity(especially Vishnu) in human or superhuman or animal form
詳細(xì)解釋:av.a.tar
n.(名詞)The incarnation of a Hindu deity, especially Vishnu, in human or animal form.降凡:指天神,尤指印度教毗濕奴神下凡為人或動(dòng)物形象An embodiment, as of a quality or concept; an archetype:具體化:指某種性質(zhì)或概念的形象化;原始模型:例句:the very avatar of cunning.狡猾的原形
A temporary manifestation or aspect of a continuing entity:體現(xiàn)av concept:一種連續(xù)狀態(tài)的暫時(shí)顯現(xiàn)或表現(xiàn):例句:occultism in its present avatar.神秘學(xué)的體現(xiàn)
來(lái)源:Sanskrit avat3raô梵文 avat3raô ava [down] ava [向下] tarati [he crosses]* see ter…- 2tarati [他跨過(guò)]*參見(jiàn) ter…- 2
中文片名
威洛
外文片名
Willow
更多av concept中文片名
風(fēng)云際會(huì)
小魔仙
影片類型
動(dòng)作/奇幻/冒險(xiǎn)/喜劇
片長(zhǎng)
126 min
對(duì)白語(yǔ)言
英語(yǔ)
色彩
彩色
幅面
35毫米膠片變形寬銀幕
混音
70 mm 6-Track Dolby SR
級(jí)別
Australia:PG Singapore:PG Norway:15 Sweden:15 Finland:K-12 UK:PG USA:PG Canada:PG Spain:T
Brazil:Livre West Germany:12 Ireland:12
制作成本
$35,000,000(estimated)
拍攝日期
1987年4月27日- 1987年10月
攝制格式
35 mm
洗印格式
35 mm
演職員表
[編輯本段]
導(dǎo)演
朗·霍華德 Ron Howard
編劇
喬治·盧卡斯 George Lucas.....(story)
鮑勃·德?tīng)柭?Bob Dolman.....(screenplay)
演員
瓦爾·基爾默 Val Kilmer.....Madmartigan
Joanne Whalley.....Sorsha
沃維克·戴維斯 Warwick Davis.....Willow Ufgood
Jean Marsh.....Queen Bavmorda
Patricia Hayes.....Fin Raziel
Billy Barty.....High Aldwin
Pat Roach.....Gen. Kael
Gavan O'Herlihy.....Airk Thaughbaer
David Steinberg.....Meegosh
Phil Fondacaro.....Vohnkar
Tony Cox.....Vohnkar warrior
Robert Gillibrand.....Vohnkar warrior
Mark Northover.....Burglekutt
凱文·波拉克 Kevin Pollak.....Rool
Rick Overton.....Franjean
Maria Holvoe.....Cherlindrea(as Maria Holvöe)
Julie Peters.....Kaiya Ufgood
Mark Vande Brake.....Ranon Ufgood
Dawn Downing.....Mims Ufgood
Michael Cotterill.....Druid
Zulema Dene.....Ethna
Joanna Dickens.....Barmaid
Jennifer Guy.....The Wench
Ron Tarr.....Llug
Sallyanne Law.....Mother
Ruth Greenfield.....Elora Danan
Kate Greenfield.....Elora Danan
Kenny Baker.....Nelwyn band member(uncredited)
Peter Burroughs.....Nelwyn villager(uncredited)
Gerry Crampton.....Lieutenant in snow village(uncredited)
Kim Davis.....Mountain villager(uncredited)
Samantha Davis.....Nelwyn villager(uncredited)
Malcolm Dixon.....Nelwyn band member(uncredited)
Valerie Gale.....Villager(uncredited)
Rusty Goffe.....Nelwyn villager(uncredited)
Cheryl Howard.....Mountain villager(uncredited)
Greg Powell.....Nockmaar lieutenant(uncredited)
Nosher Powell.....(uncredited)
Jack Purvis.....Nelwyn band member(uncredited)
David Sibley.....Galladoorn warrior(uncredited)
制作人
喬·莊斯頓 Joe Johnston.....associate producer
喬治·盧卡斯 George Lucas.....executive producer
Nigel Wooll.....producer
制作發(fā)行
[編輯本段]
制作公司
Imagine Entertainment [美國(guó)]
盧卡斯電影有限公司 Lucasfilm Ltd. [美國(guó)]
米高梅 Metro-Goldwyn-Mayer(MGM) [美國(guó)]
發(fā)行公司
20世紀(jì)福克斯家庭娛樂(lè)公司 20th Century Fox Home Entertainment [美國(guó)].....(USA)(DVD)
哥av concept倫比亞三星家庭視頻公司 Columbia TriStar Home Video [美國(guó)].....(USA)(VHS)
LK-TEL Vídeo [巴西].....(Brazil)(VHS)
RCA/Columbia Pictures Home Video [美國(guó)].....(1996)(USA)(VHS)
United International Pictures(UIP) [法國(guó)].....(France)
特技制作公司
工業(yè)光魔公司 Industrial Light& Magic(ILM) [美國(guó)]
Ray Mercer& Company [美國(guó)].....(optical effects)
Visual Concept Engineering(VCE) [美國(guó)].....(optical effects)
其它公司
Lee Lighting Ltd. [英國(guó)]..... lighting
Sprocket Systems [美國(guó)]..... post-production sound services
上映日期
[編輯本段]
美國(guó)
USA
1988年5月20日
西班牙
Spain
1988年12月2日
芬蘭
Finland
1988年12月9日
英國(guó)
UK
1988年12月9日
法國(guó)
France
1988年12月14日
澳大利亞
Australia
1988年12月15日
西德
West Germany
1988年12月15日
瑞典
Sweden
1988年12月16日
菲律賓
Philippines
1990年2月13日.....(Davao)
劇情介紹
[編輯本段]
版本一
影片講述Willow是身材矮小的Nelwvn族人,他們大部分是農(nóng)人和礦工,生活在一塊平靜的中立地區(qū),但是圍繞在他們四周的土地卻是戰(zhàn)火連連。一天,Willow無(wú)意中撿到能夠破壞女巫魔力的女嬰,于是他便負(fù)起護(hù)送女嬰前往正義城堡的使命。雖然征途遙遠(yuǎn),而且女巫還派精兵沿途搜掠追殺,幸而得到族人武士以及兩個(gè)小妖精的幫助,Willow終于不屈不撓地護(hù)送女嬰到達(dá)目的地。
版本二
黑暗的中世紀(jì),惡毒的女王巴夫莫達(dá)聽(tīng)說(shuō)一個(gè)即將誕生的女嬰會(huì)在將來(lái)推翻她的統(tǒng)治成為王位的合法繼承人,遂下令將王國(guó)內(nèi)所有的懷孕婦女全部處死。一個(gè)叫埃洛拉·達(dá)南的女嬰剛出世便被送到木筏上順流而下,矮小的內(nèi)爾溫族人威洛將其救起。威洛想將達(dá)南送歸戴基尼人,途中,被布朗尼國(guó)的人抓獲,對(duì)達(dá)南的命運(yùn)深表同情的徹德林女王將一根魔杖送給了他們,還派人護(hù)送他們前往蒂爾·阿斯林王國(guó)。巴夫莫達(dá)女王在聽(tīng)說(shuō)此事后派索莎公主和凱爾將軍將他們?nèi)孔プ?,威洛伺機(jī)逃走,卻又被圍困在一個(gè)村子里。反對(duì)巴夫莫達(dá)女王的戴基尼造反者援救了他們,還俘虜了索莎公主。巴夫莫達(dá)女王在威洛和他的軍隊(duì)逼近城堡時(shí)將他們變成了豬,但站在威洛一邊的女魔法師又將他們變回原狀。一番激戰(zhàn)后,威洛的軍隊(duì)打敗了巴夫莫達(dá)女王。結(jié)為夫妻的馬德馬蒂根和索莎不僅收養(yǎng)了達(dá)南,還將她立為合法繼承人。完成了使命的威洛則回到了內(nèi)爾溫族人的村莊。
精彩評(píng)論
[編輯本段]
Adventure doesn't come any bigger than this.
Forget all you know, or think you know.
A world where heroes come in all sizes and adventure is the greatest magic of all
Beyond Good... Beyond Evil... Beyond your wildest imagination...
幕后制作
立意新穎、有著豐富曲折情節(jié)的《威洛》其素材多處來(lái)自神話和傳說(shuō),有著巨人、仙女、侏儒、女巫和雙頭龍等眾多的形象。影片的技術(shù)無(wú)可挑剔,描寫變形的鏡頭,如芬·雷齊爾從山羊到鴕鳥、孔雀、海龜、老虎,最后變成人形的一系列鏡頭非常精彩,這組鏡頭沒(méi)有使用假模型和剖面圖鏡頭,而是通過(guò)用細(xì)木桿支撐的木偶的表演和電子計(jì)算機(jī)控制的卡通畫面完成了這一復(fù)雜的過(guò)程。
關(guān)于和的分享到此結(jié)束,希望對(duì)您有所啟發(fā)!
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